<?xml version="1.0" encoding="UTF-8"?><rss version="2.0" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:wfw="http://wellformedweb.org/CommentAPI/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:rssdatehelper="urn:rssdatehelper"><channel><title>WIFT NZ News</title><link>http://www.wiftnz.org.nz</link><pubDate></pubDate><generator>umbraco</generator><description>WIFT NZ News</description><language>en</language><item><title>WIFT Member Angel McNamara and Spinning Top</title><link>http://www.wiftnz.org.nz/news/2012/5/9/wift-member-angel-mcnamara-and-spinning-top.aspx</link><pubDate>Wed, 09 May 2012 12:00:00 GMT</pubDate><guid>http://www.wiftnz.org.nz/news/2012/5/9/wift-member-angel-mcnamara-and-spinning-top.aspx</guid><content:encoded><![CDATA[ 
<p>In early November, WIFT NZ member Angel McNamara is heading to
Mae Sot, Thailand to teach two groups of kids the basics of
stop-motion animation and shooting a short documentary about the
whole experience. Angel will help the kids create 30 second
animation, they will build characters out of recycled materials and
write their own stories.<br />
<br />
 SpinningTop works along the Thai-Burma border with kids who have
been saved from trafficking or abandonment. They provide housing,
education and nutrition, but they also try to give these kids back
their childhood.<br />
<br />
 All money donated will go directly to funding this project, and
any additional money will go to SpinningTop so they can continue to
run projects for these kids.<br />
<br />
 For more information please email <a
href="http://mce_host/project_stopmotion@yahoo.co.nz">project_stopmotion@yahoo.co.nz</a>
or you can visit the SpinningTop website at <a
href="http://spinningtop.org/">www.spinningtop.org</a>.</p>
]]></content:encoded></item><item><title>Kid With A Bike: Film Giveaway</title><link>http://www.wiftnz.org.nz/news/2012/5/8/kid-with-a-bike-film-giveaway.aspx</link><pubDate>Tue, 08 May 2012 12:00:00 GMT</pubDate><guid>http://www.wiftnz.org.nz/news/2012/5/8/kid-with-a-bike-film-giveaway.aspx</guid><content:encoded><![CDATA[ 
<p>Thanks to the nice people at Trigger Films we have three double
passes to give away to <em>Kid With A Bike</em>, winner of the
Grand Jury Prize at this year's Cannes Film Festival and a Golden
Globe nominee for Best Foreign Language Film.<br />
 This deeply moving new film by the Dardenne brothers delves into
the emotional life of troubled 11-year-old Cyril (Thomas Doret).
When his father (Jérémie Renier) abandons him, Cyril obsessively
searches for his bicycle - placing his last bit of hope in this
symbol of their relationship. Almost by accident, he becomes the
ward of a kind hairdresser (Cécile de France), who seems surprised
to find herself so determined to help him. With his wild,
unpredictable behaviour and his disastrous search for father
figures, Cyril risks losing her - though she refuses to give up
without a fight.<br />
 For your chance to win, email and tell us what country the
Dardenne Brothers are from. (We'll give the tickets to the second,
seventh and eighth people to answer.</p>
]]></content:encoded></item><item><title>Members Making Waves</title><link>http://www.wiftnz.org.nz/news/2012/5/8/members-making-waves.aspx</link><pubDate>Tue, 08 May 2012 12:00:00 GMT</pubDate><guid>http://www.wiftnz.org.nz/news/2012/5/8/members-making-waves.aspx</guid><content:encoded><![CDATA[ 
<p style="margin-bottom: 0.5cm; line-height: 0.35cm">More good news
from members getting their work out there.<br />
 WIFT Member Raewyn Turner's music video <em>Stave: Oh That I Had
'</em>was selected for Muvi3 this year. You can watch the vid
<span><a href="https://vimeo.com/26310517">here</a></span> or read
more about the festival <span><a
href="http://muvi-visualmusic.tumblr.com/selected%20video">here</a></span>.<br />
 In addition, Shona McCullagh's
<strong><em><span>Break</span></em></strong> screened at the recent
Dance/Screen collection at the San Francisco Conservatory of
Dance.</p>
]]></content:encoded></item><item><title>WIFT Discount Partner Profile: OnFilm Magazine</title><link>http://www.wiftnz.org.nz/news/2012/5/8/wift-discount-partner-profile-onfilm-magazine.aspx</link><pubDate>Tue, 08 May 2012 12:00:00 GMT</pubDate><guid>http://www.wiftnz.org.nz/news/2012/5/8/wift-discount-partner-profile-onfilm-magazine.aspx</guid><content:encoded><![CDATA[ 
<p style="margin-bottom: 0.5cm; line-height: 0.35cm"><span>WIFT
Members get a great discount on subscriptions to NZ's screen
production industry magazine,</span> <span><a
href="http://www.onfilm.co.nz/">OnFilm</a></span> <span>You get 50%
off 1 year, which is a very reasonable $33.98 plus GST.</span></p>
]]></content:encoded></item><item><title>Film to Look Out For</title><link>http://www.wiftnz.org.nz/news/2012/5/8/film-to-look-out-for.aspx</link><pubDate>Tue, 08 May 2012 12:00:00 GMT</pubDate><guid>http://www.wiftnz.org.nz/news/2012/5/8/film-to-look-out-for.aspx</guid><content:encoded><![CDATA[ 
<p>We came across <span><a
href="http://www.nfb.ca/film/boxing_girls_of_kabul_trailer">this
trailer</a></span> for new documentary <em>The Boxing Girls of
Kabul,</em> <em><span>which i</span></em>ndie distributor In Demand
has just picked up the U.S. rights to.<br />
In this feature by director <strong><span>Ariel
Nasr</span></strong>, a remarkable group of young Afghan women
dream of representing their country as boxers at the 2012 Olympics,
embarking on a journey of both personal and political
transformation. We don't have any info on a New Zealand release
yet, but we recommend you look out for its listing on festival
schedules over the next while, as it looks like one to put on the
'must watch' list.</p>
]]></content:encoded></item><item><title>Women Make Movies Celebrates 40-Year Anniversary</title><link>http://www.wiftnz.org.nz/news/2012/5/8/women-make-movies-celebrates-40-year-anniversary.aspx</link><pubDate>Tue, 08 May 2012 12:00:00 GMT</pubDate><guid>http://www.wiftnz.org.nz/news/2012/5/8/women-make-movies-celebrates-40-year-anniversary.aspx</guid><content:encoded><![CDATA[ 
<p style="margin-bottom: 0cm">From March 2012 through March 2013,
WMM will be celebrating their 40th Anniversary with 40
international screenings and events, spotlighting classic works
from its catalogue as well as new releases. They will be working
with museums, film festivals and cultural institutions around the
world to present films, retrospectives, panels, workshops and
mentoring events. The anniversary year kicked off with a month of
programming on the Documentary Channel in March and will continue
across North America and the rest of the world. They say "We look
forward to celebrating the accomplishments of women filmmakers,
exciting new audiences with feminist films and working with our
partners to bring together men and women around the globe to
discuss, debate and learn about the past, present and future of
independent women's films. Women Make Movies. Now more than ever.
Check out <a href="http://www.wmm.com/40for40/">the site</a> to see
the list of events.</p>
]]></content:encoded></item><item><title>The Status of Women's Film Festivals</title><link>http://www.wiftnz.org.nz/news/2012/5/8/the-status-of-women's-film-festivals.aspx</link><pubDate>Tue, 08 May 2012 12:00:00 GMT</pubDate><guid>http://www.wiftnz.org.nz/news/2012/5/8/the-status-of-women's-film-festivals.aspx</guid><content:encoded><![CDATA[ 
<p style="line-height: 0.35cm"><span>A great
thought-provoking</span> <span><a
href="http://blogs.indiewire.com/womenandhollywood/the-status-of-womens-film-festivals?utm_source=iContact&amp;utm_medium=email&amp;utm_campaign=Women%20and%20Hollywood&amp;utm_content=WEEKLY+TEMPLATE&amp;page=2">
piece here</a></span> <span>by Women and Hollywood's Melissa
Silverstein about what women's festivals provide in the realms of
feminism and networking, along with her thoughts about whether they
represent a niche/ghetto and the dilemma festivals often face
between professionalism and a unique format.</span></p>
]]></content:encoded></item><item><title>Registration Open For Women in Film and Television UK Cannes Reception</title><link>http://www.wiftnz.org.nz/news/2012/5/8/registration-open-for-women-in-film-and-television-uk-cannes-reception.aspx</link><pubDate>Tue, 08 May 2012 12:00:00 GMT</pubDate><guid>http://www.wiftnz.org.nz/news/2012/5/8/registration-open-for-women-in-film-and-television-uk-cannes-reception.aspx</guid><content:encoded><![CDATA[ 
<p>Registration has opened for the 2012 Women in Film and
Television International Cannes Reception. It will take place 6:30
- 8:00pm on Sunday 20th May in the UK Film Centre in Cannes.</p>

<p>It's a free event and WFTV (UK) hopes to welcome many members of
WIFTI from around the globe and their guests.</p>

<p><span>For more information and to register, visit:</span>
<span><a
href="http://tiny.cc/wftvevents">http://tiny.cc/wftvevents</a></span></p>
]]></content:encoded></item><item><title>A Very Manly Cannes</title><link>http://www.wiftnz.org.nz/news/2012/5/8/a-very-manly-cannes.aspx</link><pubDate>Tue, 08 May 2012 12:00:00 GMT</pubDate><guid>http://www.wiftnz.org.nz/news/2012/5/8/a-very-manly-cannes.aspx</guid><content:encoded><![CDATA[ 
<p style="margin-bottom: 0.5cm; line-height: 0.35cm">More comment
on the <a href="http://www.signalblog.ca/?p=11896">St John's
International Film Festival blog</a> about the lack of women up for
the big award at Cannes this year. Sarah Smellie writes about why
women are missing this year.<br />
In a related post Melissa Silverstein asks what other
women-directed films should have been considered for Cannes
<span><span><a
href="http://blogs.indiewire.com/womenandhollywood/what-women-directed-films-should-have-been-considered-for-cannes">
here</a></span></span>.</p>
]]></content:encoded></item><item><title>Member Maya Hammarsal Talks About New Title Mr Wilkins</title><link>http://www.wiftnz.org.nz/news/2012/5/8/member-maya-hammarsal-talks-about-new-title-mr-wilkins.aspx</link><pubDate>Tue, 08 May 2012 12:00:00 GMT</pubDate><guid>http://www.wiftnz.org.nz/news/2012/5/8/member-maya-hammarsal-talks-about-new-title-mr-wilkins.aspx</guid><content:encoded><![CDATA[ 
<p style="margin-bottom: 0cm">Moving away from documentaries,
<em>Mr Wilkins</em> is member Maya Hammarsal's first time directing
fiction. Based on a short script written during her Masters course
at IIML, the film's about two former classmates renegotiating their
relationship as adults and finally leaving their troubled
schooldays behind them. It stars WIFT member April Philips along
with Gregor Cameron, and was filmed by Jess Charlton.</p>

<p style="margin-bottom: 0cm">Maya used her David Carson-Parker
Embassy Trust Scriptwriting award money and a small grant from the
Emerging Artist Trust to fund the production, setting herself the
challenge of giving opportunities to people generally marginalised
by the film industry ie, women, people with disabilities, people
from ethnic minorities.<br />
You can read more about Maya's experience with the film in <a
href="/media/157176/outline on mr wilkins m hammarsal.pdf">this
article</a>.</p>
]]></content:encoded></item><item><title>NZ Short Film to Compete in Cannes</title><link>http://www.wiftnz.org.nz/news/2012/5/8/nz-short-film-to-compete-in-cannes.aspx</link><pubDate>Tue, 08 May 2012 12:00:00 GMT</pubDate><guid>http://www.wiftnz.org.nz/news/2012/5/8/nz-short-film-to-compete-in-cannes.aspx</guid><content:encoded><![CDATA[ 
<p><span>WIFT Member Chelsea Winstanley has let us know the great
news that the New Zealand short film</span> <span><em>Night
Shift</em></span><span>, written and directed by Zia Mandviwalla
and which Chelsea co-produced, has been chosen to compete for the
2012 Short Film Palme d'or at Cannes.</span> <span><em>Night
Shift</em></span> <span>has been selected out of 4,500 films to be
in the final 10 competing for the prestigious prize.</span></p>

<p><span><em>Night Shift</em></span> <span>is a moving tale of an
airport cleaner trying to make it through another long shift. She
does her job, tries not to draw attention to herself and gleans her
survival from what others leave behind.</span></p>

<p>It is the latest offering from writer/director Zia Mandviwalla
whose previous work has earned her a host of prominent
international selections at film festivals in Pusan, Melbourne and
London. This is her fourth short film.</p>

<p><span><em>Night Shift</em></span> <span>was funded through the
New Zealand Film Commission's (NZFC) Premiere Shorts
scheme/programme. It was produced by Chelsea Winstanley and Matt
Noonan through Curious Films in Auckland. Executive Producers are
Maile Daugherty and Michael Bennett from A Collective Intake of
Breath.</span></p>

<p style="line-height: 0.35cm">The winner of the Short Film Palme
d'or will be announced on the 27th of May.</p>
]]></content:encoded></item><item><title>Congratulations to Member Rachel Patching</title><link>http://www.wiftnz.org.nz/news/2012/5/8/congratulations-to-member-rachel-patching.aspx</link><pubDate>Tue, 08 May 2012 12:00:00 GMT</pubDate><guid>http://www.wiftnz.org.nz/news/2012/5/8/congratulations-to-member-rachel-patching.aspx</guid><content:encoded><![CDATA[ 
<p style="margin-bottom: 0.5cm; line-height: 0.35cm">
Congratulations to WIFT member Rachel Patching for winning Best
Short Documentary at the 2012 Documentary Edge Festival for
<span><a
href="http://www.documentaryedge.org.nz/2012/ak/film/gone-curling"
target="_blank"><em>Gone Curling</em></a></span> <em></em>The first
screening of the film was sold out but you still have a chance to
see it this Saturday at 11.15am at Event Cinemas in
Newmarket.<br />
For the full list of Documentary Edge winners,<span><a
href="http://www.docnz.org.nz/2011/wgtn/awards/">see
here</a></span>.</p>
]]></content:encoded></item><item><title>WIFT Exec Comment on NZ Reality TV Shows </title><link>http://www.wiftnz.org.nz/news/2012/5/8/wift-exec-comment-on-nz-reality-tv-shows-.aspx</link><pubDate>Tue, 08 May 2012 12:00:00 GMT</pubDate><guid>http://www.wiftnz.org.nz/news/2012/5/8/wift-exec-comment-on-nz-reality-tv-shows-.aspx</guid><content:encoded><![CDATA[ 
<p style="margin-bottom: 0.5cm; line-height: 0.35cm">The following
is a personal comment from WIFT Executive Director Susi Newborn and
does not necessarily reflect the views of the membership.</p>

<p style="margin-bottom: 0.5cm; line-height: 0.35cm"><span>The
recent news that there may be a Kardashian family-style reality TV
show featuring Sally and Jaime Ridge has WIFT worried about the
message the media is sending our daughters, our sons and their
generation. Who are their role models? Why are we</span>
<span><em>rewarding</em></span> <span>reality TV's exploitation of
women's bodies? Are looks, for women, more important than their
brains or their talents? Is hyper-sexualisation and
self-objectification now a legitimate path to success in New
Zealand as it is in America?<br />
 We should be appalled at how often the cameras and commentators
focus on these celebrities, instead of the many other successful
women who have actually contributed something to society. Our
fascination with superficiality and the objectification of women in
popular media is increasing. When our top representatives in the
screen industry state that they believe</span> <span><em>The
GC</em></span> <span>- on which they spent almost half a million of
our taxes - is a "modern form of documentary" or a "programme that
has engaged the nation..." we should be really concerned about the
future for our industry. At least 87% of people who voted in a NZ
Herald poll said that there would 'No Way' they would watch a
reality show starring Sally and Jaime Ridge. Thank heavens for
that!"</span></p>
]]></content:encoded></item><item><title>Cloud South Quits This Way of Life</title><link>http://www.wiftnz.org.nz/news/2012/5/8/cloud-south-quits-this-way-of-life.aspx</link><pubDate>Tue, 08 May 2012 12:00:00 GMT</pubDate><guid>http://www.wiftnz.org.nz/news/2012/5/8/cloud-south-quits-this-way-of-life.aspx</guid><content:encoded><![CDATA[ 
<p>A sobering and important story this week about WIFT member
Sumner Burstyn's Cloud South films. Sumner told the Screen Forum
last week she and husband Tom Burstyn will no longer be making
documentary films in New Zealand, "<em><span><span>because it`s
just too damn hard to make a living at
it."</span></span></em><br />
 <span><a
href="http://www.screenhub.co.nz/news/shownewsarticle.php?newsID=42612">
ScreenHub</a></span> has the full transcript of this story, but for
those who are not ScreenHub members, here's an abridged version
(acknowledgements and thanks to Screenhub for copy).<span><br />
 Cloud South's first</span> <span><em>film</em></span>
<em><span><span>One Man, One Cow, One Planet</span></span></em>
<span>sold to 13 countries and won four international
awards.</span> <em><span>This Way of Life</span></em> <span>gained
10 local and international awards, including one from Berlin.<br />
 Their business model is to use the returns to pay themselves back
the production funds. Beyond that they return a percentage of
profit to the people featured in their films.<br />
 Their next film</span> <em><span>Some Kind of Love</span></em>
<span>was also funded using this method. It is in the final weeks
of a protracted postproduction process.<br />
 Sumner commented that you'd think it would be a reasonably
successful strategy. Except for one thing. Beyond paying back their
investments in themselves and funding their next film there was no
real income, no money to actually live on.<br />
 Sumner said that they have tried pitching to broadcasters and NZ
on Air and the NZ Film Commission. But they could never get that
flavour of the month thing right. She said the real problem was
with their kind of films, single subject feature documentaries:
"intimate portraits that explore ideas are dinosaurs. And there is
no real place for them in today's terrestrial media
landscape."<br />
 Sumner said this all begs the question 'why should we support
documentary filmmakers anyway? ` Her answer was simple - because
documentary filmmakers reflect and build society. They are the
visual windows onto our world in a way that TV shows like</span>
<em><span><span>Pet Rescue</span></span></em> <span>and</span>
<em><span><span>The GC</span></span></em> <span>are not. The fact
that</span> <em><span><span>The GC</span></span></em> <span>was
funded as a documentary is one salient fact that should chill the
heart of every real documentary maker.<br />
 "Docos in NZ get made mainly on borrowing, goodwill and freebees.
They also run on the blood of interns. We eat up interns and spit
them out. All those bright young things full of great ideas coming
out of film schools. They pay for their educations and then we
expect them to work for free. And then they are gone - into TV and
features films because they need to earn a living. We've lost their
voices for good. And these are the voices of the next
generation."</span></p>
]]></content:encoded></item><item><title>Oxfam's Biggest Coffee Break</title><link>http://www.wiftnz.org.nz/news/2012/5/8/oxfam's-biggest-coffee-break.aspx</link><pubDate>Tue, 08 May 2012 12:00:00 GMT</pubDate><guid>http://www.wiftnz.org.nz/news/2012/5/8/oxfam's-biggest-coffee-break.aspx</guid><content:encoded><![CDATA[ 
<p style="margin-bottom: 0.5cm; line-height: 0.35cm"><span>If your
coffee's not</span> <span><a
href="http://www.fairtrade-advocacy.org/images/stories/FTAO_charters_3rd_version_EN_v1.2.pdf"
 target="_blank">Fair Trade</a></span><span>, chances are that it's
helping multinationals more than the growers, who in many cases are
left struggling to feed their families, send their children to
school and sometimes even cover their production costs. The
multinational companies on the other hand, capture the lion's share
of the dosh and use their market power to push down the prices paid
to growers. That's why we're supporting the Oxfam FairTrade Coffee
Break this Thursday, along with Actors Equity and the Screen
Directors' Guild of New Zealand. Last year over 40,000 people took
part in NZ alone, and all you have to do is enjoy a cup of
exceedingly good coffee, drinking chocolate or tea - all Fair
Trade, of course - and eat some yummy Fair Trade chocolate- all
FREE!!. You'll also receive discount vouchers from Kokako and Caffe
L'affare so you can top up your supplies at a friendly price. So
come along and join us at the Actors' Equity offices, 195 Ponsonby
Road at 4:30pm. RSVP to us at office AT wiftnz DOT org DOT nz<br />
 We're actually now doing our networking drinks with SDGNZ in the
Long Room (114 Ponsonby Road) from 6pm onwards. So you could join
the coffee break, then just move into the Long Room for some wines
after (see Industry Events Auckland).<br />
 Related events include the chance to bid on a Fair Trade cuppa
with Bret Mckenzie</span> <span><a
href="http://www.trademe.co.nz/travel-events-activities/activities/auction-472480891.htm">
here</a></span> <span>or you can watch a short clip about Graham
Henry's support of Fair Trade</span> <span><a
href="http://www.youtube.com/watch?feature=player_embedded&amp;v=eGKNvIF-rKI">
here</a></span><span>.</span></p>
]]></content:encoded></item><item><title>Enews 08 May</title><link>http://www.wiftnz.org.nz/news/2012/5/8/enews-08-may.aspx</link><pubDate>Tue, 08 May 2012 12:00:00 GMT</pubDate><guid>http://www.wiftnz.org.nz/news/2012/5/8/enews-08-may.aspx</guid><content:encoded><![CDATA[ 
<p style="margin-bottom: 0.5cm; line-height: 0.35cm"><span>Only
several weeks till TVNZ7 is scheduled to go off air, and the
petition to save it has reached 18, 417 (as at this morning's
count). This week's enews has many stories about the state of
documentaries in this country - it leads us to wonder if we're to
become a country of insipid so-called reality tv. Is that what we
really want for our children?<br />
 We're sure WIFT members have probably signed the Save TVNZ7
petition already, but if for some reason you haven't yet,</span>
<span><a
href="http://issues.co.nz/savetvnz7/Sign+The+Petition">here's the
link</a></span><span>. Please also publicise it as much as you can
in these last few weeks.</span></p>
]]></content:encoded></item><item><title>Site We Like: Tip From An Expert</title><link>http://www.wiftnz.org.nz/news/2012/5/8/site-we-like-tip-from-an-expert.aspx</link><pubDate>Tue, 08 May 2012 12:00:00 GMT</pubDate><guid>http://www.wiftnz.org.nz/news/2012/5/8/site-we-like-tip-from-an-expert.aspx</guid><content:encoded><![CDATA[ 
<p><span>UK Writer/Director Ruth Torjusson blogs about micro-budget
films and a recent post has a good tip on composing shots in
depth.</span> <span><a
href="http://ruthtorjussen.com/?utm_source=Film+Directing+4+Women+List&amp;utm_campaign=d42cab5488-First_Video_newsletter4_21_2012&amp;utm_medium=email">
Check out her site</a></span> <span>for this tip and
more.</span></p>
]]></content:encoded></item><item><title>New Actors' Equity Performers’ Charter</title><link>http://www.wiftnz.org.nz/news/2012/5/8/new-actors'-equity-performers’-charter.aspx</link><pubDate>Tue, 08 May 2012 12:00:00 GMT</pubDate><guid>http://www.wiftnz.org.nz/news/2012/5/8/new-actors'-equity-performers’-charter.aspx</guid><content:encoded><![CDATA[ 
<p><span>NZ Actors' Equity is the industrial and professional
organisation representing performers who work in New Zealand's
entertainment industries. NZ Actors' Equity provides a strong
collective voice for performers' industrial, professional and
social interests and seeks to empower performers through campaigns,
collective bargaining, and community building.</span> <span>This is
the</span><span><a
href="http://www.actorsequity.org.nz/documents/equityperformercharter.pdf">
Performers' Charter</a></span><span>.</span></p>
]]></content:encoded></item><item><title>More News From New York</title><link>http://www.wiftnz.org.nz/news/2012/5/8/more-news-from-new-york.aspx</link><pubDate>Tue, 08 May 2012 12:00:00 GMT</pubDate><guid>http://www.wiftnz.org.nz/news/2012/5/8/more-news-from-new-york.aspx</guid><content:encoded><![CDATA[ 
<p style="margin-bottom: 0.5cm; line-height: 0.35cm"><span>Both
Dianna Fuemena and Catherne Bisley have posted new blogs on the
S</span><span><a href="http://www.script-to-screen.co.nz/">cript to
Screen website</a></span> <span>from their Killer Films
internships, so don't forget to check in and see what they've been
up to.</span></p>
]]></content:encoded></item><item><title>Seeking Love Letters</title><link>http://www.wiftnz.org.nz/news/2012/5/8/seeking-love-letters.aspx</link><pubDate>Tue, 08 May 2012 12:00:00 GMT</pubDate><guid>http://www.wiftnz.org.nz/news/2012/5/8/seeking-love-letters.aspx</guid><content:encoded><![CDATA[ 
<p style="margin-bottom: 0.5cm">Script to Screen is seeking
testimonials in support of them. These could affect their future so
they would really like to hear from as many of you as possible - to
show that they really do have support in the industry.<br />
They can be as short or long as you wish and could relate to a
specific event like the Writer's Room, or could talk about Script
to Screen in general. They are intended for non-public documents -
funding applications and sponsorship proposals.<br />
Please send them to info AT script-to-screen DOT co DOT nz. Any
questions please contact Eloise 09 360 5400 or <span><a
href="mailto:eloise@script-to-screen">eloise@script-to-screen</a></span>
DOT co DOT nz.</p>
]]></content:encoded></item></channel></rss>

