Wednesday
23
Aug
2023
Costume Design - your greatest asset!

Costume Design - your greatest asset!

Posted Thursday 17 Aug 2023

Highly undervalued, a great costume designer is one of your highest assets. Costume can make or break your dream film. We're extremely fortunate to have some of the best internationally recognised costume designers in New Zealand. Join award-winning costume designers Jane Holland, Ngila Dickson and Kirsty Cameron as they discuss this vital area with acclaimed documentary director Pietra Brettkelly.

Topics to be covered will include:

  • How do you select your costume designer? 
  • What are they looking for from you, and what should you reasonably expect from them? 
  • When do you bring them on board and what is the ideal process through your project?

Whether you are a student, a producer, a director, or in the art department, this is a workshop for you ALL!

Panellists:
Kirsty Cameron
Kirsty is an award-winning costume designer and production designer. She won New Zealand Film Award’s Best Costume Design for Whale Rider, directed by Niki Caro, and Best Costume Design for her work on Perfect Creature, Glenn Standring’s vampire feature. Her work includes costume design for director Tusi Tamasese’s acclaimed The Orator, which won best film at Venice Film Festival in 2011, and most recently for the Academy Award-winning The Power of the Dog. She’s also written and directed short films, designed costumes for dancer/choreographer Douglas Wright, and develops her own homewares. 

Ngila Dickson
Ngila won an Academy Award in 2004 for her work on Peter Jackson’s The Lord of the Rings: The Return of the King. She earned dual nominations that year, also being honoured for her costume designs for Edward Zwick’s The Last Samurai. Dickson had previously gained her first Academy Award nomination and a BAFTA nomination for Best Costume Design for The Lord of the Rings: The Fellowship of the Ring.  In addition, she won a BAFTA Award for her work on The Lord of the Rings: The Two Towers, and won a Costume Designers Guild Award, and received her third BAFTA Award nomination for The Lord of the Rings: The Return of the King.

Jane Holland
Jane has recently returned from nine months in Budapest as costume designer for Halo Series 2. With a career spanning 30 years in film and television Jane's work ranges from large-scale international projects to local drama and arthouse projects. Her passion is for character storytelling and innovative world-building, be it the expansive retro sci-fi world of Cowboy Bebop, or character-driven period films like Juniper and World’s Fastest Indian. Jane is also creative producer and writer and through 10000 Company she and Michael Bennett initiate and develop original scripts. 

Moderator:
Pietra Brettkelly
Pietra  is a three-times Oscar selected and Sundance award-winning NZ filmmaker. Her documentary features include Yellow Is Forbidden, A Flickering Truth, Māori Boy Genius, The Art Star And The Sudanese Twins and Beauty Will Save The World. In 2019 she received the inaugural New Zealand Arts Laureate in Documentary, and at the 2020 WIFT NZ Awards, Pietra won the South Pacific Pictures Award for Achievement in Film "for creating unique, intimate, beautiful cinematic works that open a window into another world".

RSVP essential to office@wiftnz.org.nz

WIFT NZ members FREE, non-members $20, students $10 (includes wine and nibbles). Please pay in cash at the door

Date: Wednesday 23 Aug 2023
Location: Click Studios, 525 Rosebank Rd, Avondale
Time: 6pm drinks for a 6:30pm start

Wednesday
23
Aug
2023

Upcoming events...

Wednesday 21 Oct 2026

In Conversation With: Cathy Garcia-Sampana

You may have missed her at the Big Screen Symposium this year, but in our eyes, she was the hidden gem of the conference.

Cathy Garcia-Sampana is one of the most successful filmmakers in the Phillipines. Her films have been the highest-grossing Filipino film of the year on nine occasions, and on six occasions have been the highest-grossing Filipino film of all time (Wikipedia). And with all of that, she spends a half of her time in Aotearoa!

Across a career spanning more than three decades and closely associated with ABS-CBN and its film studio Star Cinema, she has directed some of the most successful and widely watched productions in Philippine screen history. Her credits include One More Chance (2017), The Hows of Us (2018) Hello, Love, Goodbye (2019) and Hello, Love, Again (2024). The themes that are present through her work are family, navigating love, ambition, migration, and personal reinvention.

WIFT & PASC are delighted to have Cathy speak to us about her journey as a filmmaker, working within her values, and how the screen industry in Asia is vastly different from ours.

The session will be moderated by Marc Laureano.

CLICK HERE TO BOOK

Drinks & nibbles provided.

FREE for WIFT & PASC Members | $20 for non-members

Wednesday 21 Oct 2026

Understanding the Archive

What happens to your film after delivery? Ngā Taonga has the answer.

Delivery isn't the end of your film's story. If the New Zealand Film Commission has funded your film, you're required to deposit it with Ngā Taonga Sound & Vision, Aotearoa's audiovisual archive. Most filmmakers tick that box and move on, but knowing how the archive works can make a real difference to your film's future.

Here's why:
Ngā Taonga preserves and catalogues your material, and when someone wants to screen it or access it, they send that request on to you as the rights holder. Nothing is released without your say. As the years go by, that becomes more and more valuable, whether it's a festival programmer, a researcher or a retrospective curator looking for your work.

So, who are they?
Ngā Taonga holds more than 800,000 audiovisual items dating back to 1894, and cares for the collections of the NZ Film Commission, Te Māngai Pāho, RNZ, TVNZ and much of NZ On Air's funded content, alongside material from Whakaata Māori, the Waitangi Tribunal and many other public and private collections. It's where our screen history lives, and where your work will sit alongside it.

As a filmmaker, it is essential that you know how to make sure your film materials are preserved and archived properly, so your work stays discoverable for generations to come.

CLICK HERE TO BOOK

Free for WIFT Members, $20 for non-members. Drinks & nibbles provided.

Programme is brought to you with generous support from the NZ Film Commission and Foundation North.