Thursday
17
Nov
2022
Gaylene Preston: Gaylene's Take

Gaylene Preston: Gaylene's Take

Posted Tuesday 01 Nov 2022

We are so excited to bring you this event celebrating the release of Dame Gaylene Preston's autobiography, Gaylene's Take: Her Life In New Zealand Film.

Dame Gaylene is one of Aotearoa’s most distinctive storytellers, and her book brings the same compassion, humour, irreverence and heart for which her films are known, to the page.

This is a great opportunity to celebrate Dame Gaylene's career and her achievement of putting a life story into words.

Newshub Entertainment Reporter, the wonderful Kate Rodger will interview Dame Gaylene, who will also read excerpts from her book. Expect a lot of laughter - this is going to be a fabulous night!

What a special event with which to cap off our year's workshop programming!

Time: 6:00pm drinks for a 6:30pm start.

Date: Thursday 17 November

Location: GridAKL / Futures Lab, Level 4,
12 Madden St, Wynyard Quarter.

Seats will be limited so be in quick to secure your spot.
RSVP to office@wiftnz.org.nz

 

Date: Thursday 17 Nov 2022
Location: GridAKL / Futures Lab, Level 4, 12 Madden St, Wynyard Quarter
Time: 6:00pm drinks for a 6:30pm start

Thursday
17
Nov
2022

Upcoming events...

Wednesday 21 Oct 2026

In Conversation With: Cathy Garcia-Sampana

You may have missed her at the Big Screen Symposium this year, but in our eyes, she was the hidden gem of the conference.

Cathy Garcia-Sampana is one of the most successful filmmakers in the Phillipines. Her films have been the highest-grossing Filipino film of the year on nine occasions, and on six occasions have been the highest-grossing Filipino film of all time (Wikipedia). And with all of that, she spends a half of her time in Aotearoa!

Across a career spanning more than three decades and closely associated with ABS-CBN and its film studio Star Cinema, she has directed some of the most successful and widely watched productions in Philippine screen history. Her credits include One More Chance (2017), The Hows of Us (2018) Hello, Love, Goodbye (2019) and Hello, Love, Again (2024). The themes that are present through her work are family, navigating love, ambition, migration, and personal reinvention.

WIFT & PASC are delighted to have Cathy speak to us about her journey as a filmmaker, working within her values, and how the screen industry in Asia is vastly different from ours.

The session will be moderated by Marc Laureano.

CLICK HERE TO BOOK

Drinks & nibbles provided.

FREE for WIFT & PASC Members | $20 for non-members

Wednesday 21 Oct 2026

Understanding the Archive

What happens to your film after delivery? Ngā Taonga has the answer.

Delivery isn't the end of your film's story. If the New Zealand Film Commission has funded your film, you're required to deposit it with Ngā Taonga Sound & Vision, Aotearoa's audiovisual archive. Most filmmakers tick that box and move on, but knowing how the archive works can make a real difference to your film's future.

Here's why:
Ngā Taonga preserves and catalogues your material, and when someone wants to screen it or access it, they send that request on to you as the rights holder. Nothing is released without your say. As the years go by, that becomes more and more valuable, whether it's a festival programmer, a researcher or a retrospective curator looking for your work.

So, who are they?
Ngā Taonga holds more than 800,000 audiovisual items dating back to 1894, and cares for the collections of the NZ Film Commission, Te Māngai Pāho, RNZ, TVNZ and much of NZ On Air's funded content, alongside material from Whakaata Māori, the Waitangi Tribunal and many other public and private collections. It's where our screen history lives, and where your work will sit alongside it.

As a filmmaker, it is essential that you know how to make sure your film materials are preserved and archived properly, so your work stays discoverable for generations to come.

CLICK HERE TO BOOK

Free for WIFT Members, $20 for non-members. Drinks & nibbles provided.

Programme is brought to you with generous support from the NZ Film Commission and Foundation North.