Wednesday
16
Feb
2022
NEW DATE! Demystifying LX for production

NEW DATE! Demystifying LX for production

Posted Thursday 08 Sep 2022

This event has been pushed back a week, the new date is 16 February.

Are you in production and wanting to learn how lighting works? Do you want to understand what your gaffer, best wahine, LX assist and DOP are talking about? Do you want a better understanding of the LX whys and wheres and the production considerations for these?

No matter the size of your production, this is the workshop for you!

Come along to this event where you can ask WIFT NZ ally Zac Beckett-Knight (a grip and gaffer with Late Knight Productions) all your questions. 

Zac has been a technician in the Canterbury film industry for nearly a decade. Known as a 'Zac of all trades' and a total production solution, he’s worked in nearly every department. Recently he has specialised in LX and grip services in the region, working on commercials, corporate, drama and music videos that visit the region.

RSVP to office@wiftnz.org.nz, and please state your industry role. 

WIFTNZ members free, non-members $15 cash - includes a drink and nibbles.

 

Date: Wednesday 16 Feb 2022
Location: Belmont Studio, 31 Southwark Street, Christchurch Central City
Time: 6-8pm, Wednesday 16 February, 2022

Wednesday
16
Feb
2022

Upcoming events...

Wednesday 27 May 2026

What's the "Drama" with "Vertical"? (Wellington)

What's the 'Drama' with 'Vertical'?

Are there opportunities for vertical microdramas in NZ?

The vertical microdrama format has taken the world by storm. Short, punchy, shot for mobile, and built for binge-watching, it's generated extraordinary revenue in markets like China and is quietly gaining ground here in Aotearoa. But what is it? Where do we find them? Who's watching? Are there revenue opportunities?

Join us for a panel conversation that brings together producers, funders, and an international perspective to dig into the real story behind vertical content in NZ.

Whether you're already working in the short-form space, curious about where the funding is heading, or wondering how overseas models might translate here, this is a conversation you won't want to miss.

 

Our Panellists

  • Amie Mills - Head of Funding at NZ on Air
    Amie is a member of the Senior Leadership Team and has overall responsibility for the Scripted, Non-Fiction and Platforms streams of funding, and the Game Development Sector Rebate. Amie has worked in the media industry in Aotearoa and abroad, in a range of creative and digital production roles.

  • Abba-Rose Vaiaonga-Ioasa - Producer for "I Got You"
    Abba-Rose (Samoan, villages of Toamua, Puipa'a) specializes in taking the path less travelled to tell the stories rarely told. Co-founder of Pacific Islands Screen Artists, producer of feature films, Three Wise Cousins (2016), Hibiscus & Ruthless (2018), Take Home Pay (2019), Mama's Music Box (2020). And factual series Sik Fah Lah (2022), online vertical series I Got You (2022).

  • Daniela Shaw - Executive Producer
    Daniela works in film and television production with a focus on cross-border content, having produced reality programs and screen projects across international markets. Today, she is focused on micro drama as a high-growth format, where short-form storytelling meets global distribution and mobile-first audiences.

  • Jessica Todd - Producer for "The Sender"
    Based between Ōtautahi Christchurch and Tāmaki Makaurau Auckland, Jessica has been working across the media industry in Aotearoa and the UK for 10 years. As as independent producer, she works in production for long form drama projects and TVCs. Most recently, she produced NZ On Air Funded microdrama The Sender (2025).

 

CLICK HERE FOR TICKETS VIA HUMANITIX

 

Drinks and nibbles from 6pm, panel from 6:30pm.

Free for WIFT members | $20 non-members

Wednesday 10 Jun 2026

What's the "Drama" with "Vertical"? (Christchurch)

What's the 'Drama' with 'Vertical'?

Are there opportunities for vertical microdramas in NZ?

The vertical microdrama format has taken the world by storm. Short, punchy, shot for mobile, and built for binge-watching, it's generated extraordinary revenue in markets like China and is quietly gaining ground here in Aotearoa. But what is it? Where do we find them? Who's watching? Are there revenue opportunities?

Join us for a panel conversation that brings together producers, funders, and an international perspective to dig into the real story behind vertical content in NZ.

Whether you're already working in the short-form space, curious about where the funding is heading, or wondering how overseas models might translate here, this is a conversation you won't want to miss.

Our Panellists

  • Amie Mills - Head of Funding at NZ on Air
    Amie is a member of the Senior Leadership Team and has overall responsibility for the Scripted, Non-Fiction and Platforms streams of funding, and the Game Development Sector Rebate. Amie has worked in the media industry in Aotearoa and abroad, in a range of creative and digital production roles.

  • Abba-Rose Vaiaonga-Ioasa - Producer for "I Got You"
    Abba-Rose (Samoan, villages of Toamua, Puipa'a) specializes in taking the path less travelled to tell the stories rarely told. Co-founder of Pacific Islands Screen Artists, producer of feature films, Three Wise Cousins (2016), Hibiscus & Ruthless (2018), Take Home Pay (2019), Mama's Music Box (2020). And factual series Sik Fah Lah (2022), online vertical series I Got You (2022).

  • Jessica Todd - Producer for "The Sender"
    Based between Ōtautahi Christchurch and Tāmaki Makaurau Auckland, Jessica has been working across the media industry in Aotearoa and the UK for 10 years. As as independent producer, she works in production for long form drama projects and TVCs. Most recently, she produced NZ On Air Funded microdrama The Sender (2025).

Saturday 20 Jun 2026

Creative Matchmaking (Auckland)

WIFT will be hosting a Creative Matchmaking event on the 20th June 2026. This will be held in Auckland. Save the date, further details to come. 

Programme is brought to you with generous support from the NZ Film Commission and Foundation North.