Thursday
13
Mar
2025
TAKE THE REEL INTO YOUR OWN HANDS - SELF DISTRIBUTION AUCKLAND

TAKE THE REEL INTO YOUR OWN HANDS - SELF DISTRIBUTION AUCKLAND

Posted Tuesday 04 Mar 2025

In an ever-evolving screen industry, self-distribution is becoming an empowering - sometimes the only - option for filmmakers. This WIFT NZ workshop brings you producers who have successfully self-distributed both scripted and documentary films.  It can be done!!

SELF DISTRIBUTION PANEL AUCKLAND:


Jane Mahoney - Maurice & I - co-producer and co-director
Maurice and I 
celebrates Sir Miles Warren and Maurice Mahoney’s hugely influential architectural partnership, and their legacy that was all but lost in the devastating Christchurch earthquakes. 

Cass Avery - The Girl on the Bridge - Producer
The Girl on the Bridge
 follows 22-year-old Jazz Thornton, suicide survivor and mental health advocate, as she shares the story of the loss of her close friend Jess. 

Eva Trebilco - Shut Eye - Producer
Shut Eye 
- To cure their insomnia, a social outcast befriends an ASMR streamer where the lines between friendship and obsession become blurred.

Moderated by Briar March - an award-winning filmmaker and now Investment Development Executive a the NZ Film Commission. 

Hear firsthand insights on navigating festival strategies, securing theatrical and digital releases, building engaged audiences and making self-distribution work for your project. Whether you're looking for alternatives to traditional distribution or keen to learn from those who have done it, this session will be packed with practical advice and real-world experiences.

FREE FOR WIFT MEMBERS
$20
NON MEMBERS

ALL TICKETS INCLUDE DRINKS AND NIBBLES

SECURE YOUR TICKETS HERE

Date: Thursday 13 Mar 2025
Location: CLICK STUDIOS, 525 Rosebank Road, Avondale
Time: 6.00pm

Thursday
13
Mar
2025

Upcoming events...

Wednesday 21 Oct 2026

In Conversation With: Cathy Garcia-Sampana

You may have missed her at the Big Screen Symposium this year, but in our eyes, she was the hidden gem of the conference.

Cathy Garcia-Sampana is one of the most successful filmmakers in the Phillipines. Her films have been the highest-grossing Filipino film of the year on nine occasions, and on six occasions have been the highest-grossing Filipino film of all time (Wikipedia). And with all of that, she spends a half of her time in Aotearoa!

Across a career spanning more than three decades and closely associated with ABS-CBN and its film studio Star Cinema, she has directed some of the most successful and widely watched productions in Philippine screen history. Her credits include One More Chance (2017), The Hows of Us (2018) Hello, Love, Goodbye (2019) and Hello, Love, Again (2024). The themes that are present through her work are family, navigating love, ambition, migration, and personal reinvention.

WIFT & PASC are delighted to have Cathy speak to us about her journey as a filmmaker, working within her values, and how the screen industry in Asia is vastly different from ours.

The session will be moderated by Marc Laureano.

CLICK HERE TO BOOK

Drinks & nibbles provided.

FREE for WIFT & PASC Members | $20 for non-members

Wednesday 21 Oct 2026

Understanding the Archive

What happens to your film after delivery? Ngā Taonga has the answer.

Delivery isn't the end of your film's story. If the New Zealand Film Commission has funded your film, you're required to deposit it with Ngā Taonga Sound & Vision, Aotearoa's audiovisual archive. Most filmmakers tick that box and move on, but knowing how the archive works can make a real difference to your film's future.

Here's why:
Ngā Taonga preserves and catalogues your material, and when someone wants to screen it or access it, they send that request on to you as the rights holder. Nothing is released without your say. As the years go by, that becomes more and more valuable, whether it's a festival programmer, a researcher or a retrospective curator looking for your work.

So, who are they?
Ngā Taonga holds more than 800,000 audiovisual items dating back to 1894, and cares for the collections of the NZ Film Commission, Te Māngai Pāho, RNZ, TVNZ and much of NZ On Air's funded content, alongside material from Whakaata Māori, the Waitangi Tribunal and many other public and private collections. It's where our screen history lives, and where your work will sit alongside it.

As a filmmaker, it is essential that you know how to make sure your film materials are preserved and archived properly, so your work stays discoverable for generations to come.

CLICK HERE TO BOOK

Free for WIFT Members, $20 for non-members. Drinks & nibbles provided.

Programme is brought to you with generous support from the NZ Film Commission and Foundation North.