Wednesday
21
Sep
2022
The Director - 1st AD - Producer Dynamic

The Director - 1st AD - Producer Dynamic

Posted Thursday 08 Sep 2022

Continuing in our series examining key relationships for directors, we now bring you this workshop on the Director - 1st AD - Producer dynamic in collaboration with DEGANZ.

**WIFT NZ and DEGANZ members are free**

RSVP essential to office@wiftnz.org.nz

Facilitator: Mark Westerby, Producer, Managing Director Taia Studios.

Panellists:
Rob Sarkies, Director (Scarfies, Out Of The Blue, Two Little Boys, Jean, Consent, The Gulf, Wanted)
Rob is a highly regarded multi-award winning New Zealand filmmaker whose work spans feature film, series television and commercials. He is a passionate storyteller who works across multiple genres from comedy to true-life tragedy. Rob was a director on the Matchbox/NBC Universal production Wanted shooting in NZ and Thailand, and on the first two seasons of the acclaimed German-NZ series The Gulf.

Bruno de Bois, 1AD, Director (The Hobbit Trilogy, Zealandia, Savage, Don't Make Me Go, Mortal Engines)
Belgium-born Bruno moved to New Zealand in 2006. He started working as an Assistant Director on the first Avatar Movie. Since then, he worked on multiple international and local productions such as The Hobbit Trilogy, Avatar 2 & 3, Ghost in the Shell, Mortal Engines, Savage, Don’t Make Me Go. Bruno also directed three short films: Serial Killer, Dangerous Game and Zealandia which were selected and won many awards in festivals around the world.

Desray Armstrong, Te Aitanga a Hauiti and Ngāti Porou, Producer (Millie Lies Low, Coming Home in the Dark, Juniper, Stray, Wellington Paranormal)
Desray's films have hit A-list international film festivals, including Cannes, Berlin and SXSW. She has worked on many local and international productions including A Wrinkle in Time, What We Do In the Shadows and Mortal Engines. In 2021 she produced three feature films during the Covid pandemic: Coming Home in the Dark, Juniper and Millie Lies Low.

Our experienced panel will be discussing the following questions:

  • What is the role of the 1st AD and who do they represent on set?
  • How can a successful dynamic be nurtured between the 1st AD, Director and Producer?
  • How does a 1st AD balance the creative needs of the director and the logistical needs of the shoot?
  • What is the best way to deal with Director-1st AD differences?
  • What expectations do directors and producers have of a 1st AD, and what does a 1st AD want from the director and the producer?

WIFTNZ and DEGANZ members free; non members $15 cash; includes drinks and nibbles.

RSVP essential to office@wiftnz.org.nz

Date: Wednesday 21 Sep 2022
Location: Taia Studios, 4 Bay Rd, Kilbirnie, Wellington
Time: 6:00 drinks for 6:30pm start

Wednesday
21
Sep
2022

Upcoming events...

Wednesday 30 Oct 2024

Composing for Film - Auckland

Join musician and one of New Zealand’s first women film composers Jan Preston (Home By Christmas, My Year With Helen) for a fun in-depth exploration into the role of the film composer, music and dramaturgy, and how this can make or break films!

Using examples from her award-winning work and others, she will delve into:

·    What can music add to screen stories?

·    How does the composer interpret the director’s brief?

·    How does the composer invent unique music for different genres of film?

·    Is it the same process for all genres such as big budget action drama, intimate arthouse or comedy?

Jan Preston is an award-winning film composer who has composed music for hundreds of films and TV shows for more than 40 years. Some of her compositions have included the theme to Australian Story, the ABC drama series Bastard Boys and documentary series Australian Dynasties and, closer to home, the critically acclaimed films Home By Christmas and My Year With Helen.  As one of New Zealand’s first female composers she was also the musical director for Red Mole Theatre Troupe and has composed music for Limbs dance group.

Date:         Wednesday 30 October

Time:         6-8pm (6:00pm drinks for a 6:30pm start)                                

Location:   Envy Studios, Level 2, 55 Anzac Avenue, Auckland City

WIFT members free; non-members $20 cash; includes wine and nibbles.


BOOK YOUR SPOT HERE

Wednesday 06 Nov 2024

Composing for Film - Wellington

Join musician and one of New Zealand’s first women film composers Jan Preston (Home By Christmas, My Year With Helen) for a fun in-depth exploration into the role of the film composer, music and dramaturgy, and how this can make or break films. Using examples from her award-winning work and others she will delve into:

·    What can music add to screen stories?

·    How does the composer interpret the director’s brief?

·    How does the composer invent unique music for different genres of film?

·    Is it the same process for all genres such as big budget action drama, intimate arthouse or comedy?

Jan Preston is an award-winning film composer who has composed music for hundreds of films and TV shows for more than 40 years. Some of her compositions have included the theme to Australian Story, the ABC drama series Bastard Boys and documentary series Australian Dynasties and, closer to home, the critically acclaimed films Home By Christmas and My Year With Helen.  As one of New Zealand’s first female composers she was also the musical director for Red Mole Theatre Troupe and has composed music for Limbs dance group. 

Date:          Wednesday 6 November

Time:          6-8pm (6:00pm drinks for a 6:30pm start)                                 

Location:    To be confirmed

WIFT members free; non-members $20 cash; includes wine and nibbles.

RSVP HERE!

Wednesday 13 Nov 2024

Take Your Space, Value Your Worth, Getting a Yes: Negotiating the Pay and Conditions You Deserve- CHRISTCHURCH

Take Your Space, Value Your Worth, Getting a Yes: Negotiating the Pay and Conditions You Deserve

Been talked over in a meeting?

Struggled to negotiate your contract?

Feel undervalued?

Hate conflict?

In this hands-on workshop, Dr Jo Cribb will share practical negotiation and conflict resolution strategies as well as important insights on attitudes to money and pay gaps. You will leave with practical tips and tricks for tackling your next contract negotiations. Special guest contributor, the fantastic Theresa Healey will be present!

Date: 13th November
Time: 3 PM - 7 PM, includes late afternoon networking drinks.
Venue: TBC, Christchurch

The ticket price is $10 for WIFT Members. $25 for Non-Members. Includes networking drinks & nibbles. Spaces are limited. 

Jo is a consultant and professional director with a focus on gender and diversity. She was the previous Chief Executive of the Ministry for Women, and co-founder of the Mind the Gap campaign advocating for pay gap reporting. Recent assignments include evaluating Sport NZ's gender equity in governance policy, leading sessions at APEC 2023 on gender equality in customs and border agencies, working with the New Zealand Defence Force's leadership team on the gender diversity of the forces, and completing a gender analysis of immigration policy.

In 2020, she co-authored the book Take Your Space: Successful Women Share their Secrets; the aim of which is to support women and girls to advance themselves. All proceeds from the book will be donated to The Aunties and Otara Blue Light programme to support young women leaders. Jo has also extensively researched the future of work and the result was the 2018 and 2024 second edition co-authored book Don't Worry About the Robots: How to Survive and Thrive in the New World of Work which provides an accessible synthesis of the trends in technology that are impacting on work and practical tools for future-proofing careers.

In 2016 she was a finalist in the New Zealand Women of Influence Awards and in 2021 won the Women in Governance Community Award from Governance New Zealand.

Jo is the proud mother of two, owns a small vineyard in Martinborough and distills her own gin.

BOOK YOUR TICKET TO THIS EVENT!

Gracious thanks to Screenrights for supporting this workshop for us!

Programme is brought to you with generous support from the NZ Film Commission and Foundation North.