Wednesday
16
Aug
2023
The Filmmaker as Shooting Director WTN

The Filmmaker as Shooting Director WTN

Posted Monday 14 Aug 2023

There are many reasons these days why a filmmaker may find themselves shooting their own footage – not least of which being logistics – think Dame Gaylene Preston following Helen Clark at the United Nations, Gwen Isaac in quiet moments with scientist Siouxsie Wiles, Rachel Currie on TVNZ docuseries Unbreakable and the recently funded Hospital Project or so many of you out and about with your latest gear!

Come along to this workshop, with camera in hand if you have access to one, and join Dame Gaylene, Gwen and Rachel as they discuss the pros and cons of directing as the camera person with broadcast quality in mind. This is an interactive workshop. FUN and instructive!!! Clips will be played, including a taster for Gwen's documentary Ms. Information, premiering at NZIFF this month.

Date: Wednesday 16 Aug 2023
Location: The Forge, Block 1, College of Creative Arts, Massey University
Time: 6pm drinks for a 6:30pm start

RSVP essential to office@wiftnz.org.nz

WIFT NZ members FREE, Massey Creative Media Students free; non-members $20 (includes wine and nibbles). Please pay in cash at the door .

PARKING INSTRUCTIONS:

It's easiest to park at Wellington High School. The big white building adjacent to Wellington High is Block 1, CoCA. Walk to the left of this building to a short pathway between buildings, and then take the first right to enter the CoCA reception area.

Date: Wednesday 16 Aug 2023
Location: The Forge, Block 1, College of Creative Arts, Massey University
Time: 6pm drinks for a 6:30pm start

Wednesday
16
Aug
2023

Upcoming events...

Wednesday 21 Oct 2026

In Conversation With: Cathy Garcia-Sampana

You may have missed her at the Big Screen Symposium this year, but in our eyes, she was the hidden gem of the conference.

Cathy Garcia-Sampana is one of the most successful filmmakers in the Phillipines. Her films have been the highest-grossing Filipino film of the year on nine occasions, and on six occasions have been the highest-grossing Filipino film of all time (Wikipedia). And with all of that, she spends a half of her time in Aotearoa!

Across a career spanning more than three decades and closely associated with ABS-CBN and its film studio Star Cinema, she has directed some of the most successful and widely watched productions in Philippine screen history. Her credits include One More Chance (2017), The Hows of Us (2018) Hello, Love, Goodbye (2019) and Hello, Love, Again (2024). The themes that are present through her work are family, navigating love, ambition, migration, and personal reinvention.

WIFT & PASC are delighted to have Cathy speak to us about her journey as a filmmaker, working within her values, and how the screen industry in Asia is vastly different from ours.

The session will be moderated by Marc Laureano.

CLICK HERE TO BOOK

Drinks & nibbles provided.

FREE for WIFT & PASC Members | $20 for non-members

Wednesday 21 Oct 2026

Understanding the Archive

What happens to your film after delivery? Ngā Taonga has the answer.

Delivery isn't the end of your film's story. If the New Zealand Film Commission has funded your film, you're required to deposit it with Ngā Taonga Sound & Vision, Aotearoa's audiovisual archive. Most filmmakers tick that box and move on, but knowing how the archive works can make a real difference to your film's future.

Here's why:
Ngā Taonga preserves and catalogues your material, and when someone wants to screen it or access it, they send that request on to you as the rights holder. Nothing is released without your say. As the years go by, that becomes more and more valuable, whether it's a festival programmer, a researcher or a retrospective curator looking for your work.

So, who are they?
Ngā Taonga holds more than 800,000 audiovisual items dating back to 1894, and cares for the collections of the NZ Film Commission, Te Māngai Pāho, RNZ, TVNZ and much of NZ On Air's funded content, alongside material from Whakaata Māori, the Waitangi Tribunal and many other public and private collections. It's where our screen history lives, and where your work will sit alongside it.

As a filmmaker, it is essential that you know how to make sure your film materials are preserved and archived properly, so your work stays discoverable for generations to come.

CLICK HERE TO BOOK

Free for WIFT Members, $20 for non-members. Drinks & nibbles provided.

Programme is brought to you with generous support from the NZ Film Commission and Foundation North.