Wednesday
24
Nov
2021
Thriving in the South Island

Thriving in the South Island

Posted Thursday 18 Nov 2021

It's a long time since WIFT NZ has enticed Janine Morell-Gunn out of her office to be on a panel so we're delighted she will be sharing her experiences on building a screen industry business in the South Island at our upcoming workshop!
Facilitated by Bree Loverich, Manager of Screen CanterburyNZ, Janine will be joined by three other successful South Island-based women: Amanda Jenkins of AJ Films, Kim Georgine of Cathouse Films, and Anna Canton of Annakey Productions.

WIFT NZ members free; non-members $15 cash at the door (sorry eftpos isn't available).

Some of the topics and questions the panel will explore are: 

  • What does a sustainable career in the screen sector mean?
  • What type of roles are available to screen contractors in Christchurch?
  • What type of pathways are available into the screen sector?
  • What does development look like?
  • How does diversity and inclusion fit into this sustainability model?
  • What is Christchurch doing to nurture growth in the our local screen industry? What do we need to nurture more?
  • How has COVID changed the industry in Christchurch? How can we manage these changes? 
  • What is coming up for Screen Canterbury?

Delivered in partnership with Screen CanterburyNZ and University of Canterbury

 

About the panellists:

Amanda Jenkins, Line Producer, Producer - AJ Films
For the past 20 years Amanda has been a producer in the international advertising sector working abroad and in New Zealand. Beginning her career as a videographer on Heavenly Creatures and The Frighteners, she trained at TVNZ, and has produced three NZFC short films, one of which - Closer - was nominated for the Palme d'Or at the 2004 Cannes festival. She has been location manager for When Strangers Appear and location coordinator for Netflix feature The Royal Treatment. Now pivoting back into feature film and documentary, she is in postproduction for 2021 Loading Docs, whilst line producing new feature films in development slated to shoot in the South Island. 

Anna Canton, Creative Producer – Annakey Productions
Anna's short films Gravel 3000 and the award-winning Model 15 have played at local and international festivals, and she is currently co-producing a feature, The Pissy Tits Street Gang, with Nadia Maxwell. Another short, Homecoming, has received Fresh Shorts funding from Script-to-Screen. Anna was also the line producer on the short film The Meek directed by Gillian Ashurst, and she works as a marketing manager, specialising in brand and strategy.

Janine Morell Gunn, Producer - Whitebait Media
Janine Morrell-Gunn is one of New Zealand's leading children's television producers. She began her TV career in 1985 as a trainee director and producer at TVNZ, and went on to become executive producer of TVNZ's Children's Unit. In the late 1990s she formed Whitebait Productions (now Whitebait Media) with her husband Jason Gunn, and by 2009 the company employed 140 staff, and had opened a $7 million studio facility. Whitebait Media revamped New Zealand's longest-running children's programme, What Now?, and has dominated Kiwi children's TV with weekday shows like The Erin Simpson Show and The 4.30 Show.

Kim Georgine, Director – Cat House Films
Kim has worked professionally in film, TV and video production for over 20 years. She is experienced in script reading and coverage, and pitch and proposal writing. Kim is a co-founder of Cathouse Films, which specialises in creating content for business websites, and product/service promotional videos.

Date: Wednesday 24 November 2021
Time: 6pm drinks for a 6.30pm start
Location: John Britten Building - Ground Floor Foyer 69 Creyke Road · University of Canterbury.

Date: Wednesday 24 Nov 2021
Location: John Britten Building - Ground Floor Foyer 69 Creyke Road, Cnr Creyke Rd and Engineering Rd · University of Canterbury · Christchurch
Time: 6pm drinks for a 6.30pm start

Wednesday
24
Nov
2021

Upcoming events...

Wednesday 21 Oct 2026

In Conversation With: Cathy Garcia-Sampana

You may have missed her at the Big Screen Symposium this year, but in our eyes, she was the hidden gem of the conference.

Cathy Garcia-Sampana is one of the most successful filmmakers in the Phillipines. Her films have been the highest-grossing Filipino film of the year on nine occasions, and on six occasions have been the highest-grossing Filipino film of all time (Wikipedia). And with all of that, she spends a half of her time in Aotearoa!

Across a career spanning more than three decades and closely associated with ABS-CBN and its film studio Star Cinema, she has directed some of the most successful and widely watched productions in Philippine screen history. Her credits include One More Chance (2017), The Hows of Us (2018) Hello, Love, Goodbye (2019) and Hello, Love, Again (2024). The themes that are present through her work are family, navigating love, ambition, migration, and personal reinvention.

WIFT & PASC are delighted to have Cathy speak to us about her journey as a filmmaker, working within her values, and how the screen industry in Asia is vastly different from ours.

The session will be moderated by Marc Laureano.

CLICK HERE TO BOOK

Drinks & nibbles provided.

FREE for WIFT & PASC Members | $20 for non-members

Wednesday 21 Oct 2026

Understanding the Archive

What happens to your film after delivery? Ngā Taonga has the answer.

Delivery isn't the end of your film's story. If the New Zealand Film Commission has funded your film, you're required to deposit it with Ngā Taonga Sound & Vision, Aotearoa's audiovisual archive. Most filmmakers tick that box and move on, but knowing how the archive works can make a real difference to your film's future.

Here's why:
Ngā Taonga preserves and catalogues your material, and when someone wants to screen it or access it, they send that request on to you as the rights holder. Nothing is released without your say. As the years go by, that becomes more and more valuable, whether it's a festival programmer, a researcher or a retrospective curator looking for your work.

So, who are they?
Ngā Taonga holds more than 800,000 audiovisual items dating back to 1894, and cares for the collections of the NZ Film Commission, Te Māngai Pāho, RNZ, TVNZ and much of NZ On Air's funded content, alongside material from Whakaata Māori, the Waitangi Tribunal and many other public and private collections. It's where our screen history lives, and where your work will sit alongside it.

As a filmmaker, it is essential that you know how to make sure your film materials are preserved and archived properly, so your work stays discoverable for generations to come.

CLICK HERE TO BOOK

Free for WIFT Members, $20 for non-members. Drinks & nibbles provided.

Programme is brought to you with generous support from the NZ Film Commission and Foundation North.