Wednesday
24
Nov
2021
Thriving in the South Island

Thriving in the South Island

Posted Thursday 18 Nov 2021

It's a long time since WIFT NZ has enticed Janine Morell-Gunn out of her office to be on a panel so we're delighted she will be sharing her experiences on building a screen industry business in the South Island at our upcoming workshop!
Facilitated by Bree Loverich, Manager of Screen CanterburyNZ, Janine will be joined by three other successful South Island-based women: Amanda Jenkins of AJ Films, Kim Georgine of Cathouse Films, and Anna Canton of Annakey Productions.

WIFT NZ members free; non-members $15 cash at the door (sorry eftpos isn't available).

Some of the topics and questions the panel will explore are: 

  • What does a sustainable career in the screen sector mean?
  • What type of roles are available to screen contractors in Christchurch?
  • What type of pathways are available into the screen sector?
  • What does development look like?
  • How does diversity and inclusion fit into this sustainability model?
  • What is Christchurch doing to nurture growth in the our local screen industry? What do we need to nurture more?
  • How has COVID changed the industry in Christchurch? How can we manage these changes? 
  • What is coming up for Screen Canterbury?

Delivered in partnership with Screen CanterburyNZ and University of Canterbury

 

About the panellists:

Amanda Jenkins, Line Producer, Producer - AJ Films
For the past 20 years Amanda has been a producer in the international advertising sector working abroad and in New Zealand. Beginning her career as a videographer on Heavenly Creatures and The Frighteners, she trained at TVNZ, and has produced three NZFC short films, one of which - Closer - was nominated for the Palme d'Or at the 2004 Cannes festival. She has been location manager for When Strangers Appear and location coordinator for Netflix feature The Royal Treatment. Now pivoting back into feature film and documentary, she is in postproduction for 2021 Loading Docs, whilst line producing new feature films in development slated to shoot in the South Island. 

Anna Canton, Creative Producer – Annakey Productions
Anna's short films Gravel 3000 and the award-winning Model 15 have played at local and international festivals, and she is currently co-producing a feature, The Pissy Tits Street Gang, with Nadia Maxwell. Another short, Homecoming, has received Fresh Shorts funding from Script-to-Screen. Anna was also the line producer on the short film The Meek directed by Gillian Ashurst, and she works as a marketing manager, specialising in brand and strategy.

Janine Morell Gunn, Producer - Whitebait Media
Janine Morrell-Gunn is one of New Zealand's leading children's television producers. She began her TV career in 1985 as a trainee director and producer at TVNZ, and went on to become executive producer of TVNZ's Children's Unit. In the late 1990s she formed Whitebait Productions (now Whitebait Media) with her husband Jason Gunn, and by 2009 the company employed 140 staff, and had opened a $7 million studio facility. Whitebait Media revamped New Zealand's longest-running children's programme, What Now?, and has dominated Kiwi children's TV with weekday shows like The Erin Simpson Show and The 4.30 Show.

Kim Georgine, Director – Cat House Films
Kim has worked professionally in film, TV and video production for over 20 years. She is experienced in script reading and coverage, and pitch and proposal writing. Kim is a co-founder of Cathouse Films, which specialises in creating content for business websites, and product/service promotional videos.

Date: Wednesday 24 November 2021
Time: 6pm drinks for a 6.30pm start
Location: John Britten Building - Ground Floor Foyer 69 Creyke Road · University of Canterbury.

Date: Wednesday 24 Nov 2021
Location: John Britten Building - Ground Floor Foyer 69 Creyke Road, Cnr Creyke Rd and Engineering Rd · University of Canterbury · Christchurch
Time: 6pm drinks for a 6.30pm start

Wednesday
24
Nov
2021

Upcoming events...

Wednesday 02 Apr 2025

Cue The Music - Licensing & Supervision for Screen Auckland

CUE THE MUSIC AUCKLAND! With thanks to CONCORD ANZ Ltd!

This workshop offers an in-depth exploration of music licensing in film, designed to equip participants with the essential knowledge and tools to navigate the complexities of copyright, licensing, and music placement.

From understanding the fundamentals of Publishing & Master Recording Copyrights to learning how to identify copyright owners and secure the right licenses, participants will gain practical insights into the entire process.

The workshop also covers key aspects like budgeting for music licensing, requesting quotes, engaging composers, and working with music supervisors.

Whether you’re a filmmakerproducer, or music professional, this session will provide the skills needed to successfully integrate music into your film projects while staying compliant and within budget.

BOOK YOUR SPACE FOR THIS WONDERFUL WORKSHOP HERE

This workshop will be hosted by Pennie Black and Aminé Ramer.

Pennie Black is the NZ Director of Concord ANZ Music Publishing (formerly Native Tongue Music Publishing). Concord is the world’s leading independent music company. The Company supports more than 125,000 artists and songwriters whose works are licensed, marketed, and performed globally. Concord's growing catalogue of 1.3 million songs, compositions, sound recordings, films, plays, and musicals is one of the most impactful and culturally relevant collections of creative rights in history. Locally Pennie works with a diverse roster of local songwriters, including Sir Dave Dobbyn, Don McGlashan, Marlon Williams, Gin Wigmore, Tom Scott, Haz Beats, Liz Stokes, Reb Fountain, Vera Ellen, and Jess B; and composers Plan 9, David Long and Lachlan Anderson. 

As a music supervisor and consultant, Amine Ramer has influenced the sound and mood of feature films, documentaries and award-winning television series for over 15 years. Amine founded States of Sound in 2005 which handles music supervision for independent films, documentaries, television and more. SOS works on projects from mainstream to smaller passion projects with a focus on finding undiscovered musical gems from around the world. Amine is a board member on the Guild of Music Supervisors and lives between LA & Auckland, NZ. Her keen sensibility to create a visceral experience by connecting sight with sound along with an in-depth understanding of music rights and how to navigate the clearance process.

PLEASE NOTE THERE IS ONLY A CASH BAR AT THIS VENUE! NO FREE DRINKS!  BUT WE WILL BE PROVIDING NIBBLES!

BOOK YOUR TICKET HERE 

Wednesday 09 Apr 2025

Cue The Music - Licensing & Supervision for Screen Wellington

CUE THE MUSIC WELLINGTON!  With thanks to CONCORD ANZ Ltd!

SECURE YOUR SEATS HERE

This workshop offers an in-depth exploration of music licensing in film, designed to equip participants with the essential knowledge and tools to navigate the complexities of copyright, licensing, and music placement.

From understanding the fundamentals of Publishing & Master Recording Copyrights to learning how to identify copyright owners and secure the right licenses, participants will gain practical insights into the entire process.

The workshop also covers key aspects like budgeting for music licensing, requesting quotes, engaging composers, and working with music supervisors.

Whether you’re a filmmakerproducer, or music professional, this session will provide the skills needed to successfully integrate music into your film projects while staying compliant and within budget.

This workshop will be hosted by Pennie Black and Aminé Ramer.

Pennie Black is the NZ Director of Concord ANZ Music Publishing (formerly Native Tongue Music Publishing). Concord is the world’s leading independent music company. The Company supports more than 125,000 artists and songwriters whose works are licensed, marketed, and performed globally. Concord's growing catalogue of 1.3 million songs, compositions, sound recordings, films, plays, and musicals is one of the most impactful and culturally relevant collections of creative rights in history. Locally Pennie works with a diverse roster of local songwriters, including Sir Dave Dobbyn, Don McGlashan, Marlon Williams, Gin Wigmore, Tom Scott, Haz Beats, Liz Stokes, Reb Fountain, Vera Ellen, and Jess B; and composers Plan 9, David Long and Lachlan Anderson. 

As a music supervisor and consultant, Amine Ramer has influenced the sound and mood of feature films, documentaries and award-winning television series for over 15 years. Amine founded States of Sound in 2005 which handles music supervision for independent films, documentaries, television and more. SOS works on projects from mainstream to smaller passion projects with a focus on finding undiscovered musical gems from around the world. Amine is a board member on the Guild of Music Supervisors and lives between LA & Auckland, NZ. Her keen sensibility to create a visceral experience by connecting sight with sound along with an in-depth understanding of music rights and how to navigate the clearance process.

BOOK YOUR SPACE FOR THIS AMAZING EVENT HERE

Programme is brought to you with generous support from the NZ Film Commission and Foundation North.