Tuesday
29
Jul
2025
Wāhine at Cannes: Insights from the International Stage - AUCKLAND

Wāhine at Cannes: Insights from the International Stage - AUCKLAND

Posted Tuesday 22 Jul 2025

Wāhine at Cannes: Insights from the International Stage

Wift wāhine. One iconic festival. A global perspective.

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Fresh from the Croisette, join us as four Aotearoa screen professionals share their experiences from the 2025 Cannes Film Festival — the people they met, the trends they spotted, and what it all means for our industry back home. From red carpet reflections to the real talk behind closed doors, this is your insider’s guide to the state of the international screen sector, as seen through the eyes of wāhine in the room.

Jasmin McSweeney
An Industry Award for Excellence recipient and an MNZM for services to film, Jasmin was previously the head of marketing at the NZFC, and now Head of Sales & Acquisitions NZ at Umbrella.  She leads the company’s expansion in Aotearoa and overseeing deals across theatrical, VOD, home entertainment, and streaming.

Morgan Leigh Stewart
Morgan is a producer, production human, and screen industry professional with over 10 years experience across film, social media, content creation, event producing, project development, and management. She has worked across a variety of budgets and projects from feature films, short films, TV series, web series, music videos, creative installations, events and festivals to commercials.

Emma Slade
 Emma Slade, owner of New Zealand-based Firefly Films, is a prolific producer known for her diverse slate and collaborations with dynamic filmmakers. Her recent work includes Bookworm (starring Elijah Wood), which won the Audience Award at Fantasia 2024, and two upcoming films in post-production: Holy Days and Lomu. Past successes include Uproar, Mister Organ (NZ’s top-grossing 2022 documentary, now on Netflix), Nude Tuesday, The Justice of Bunny King, and Come to Daddy. Her earlier films include The Changeover (Venice Film Festival), the China/NZ co-production Into the Rainbow and the Brazilian/NZ feature LITTLE SECRET, which was nominated as Brazil’s Oscar entry for Best Foreign Film 2017.

Sharon Menzies
A preeminent figure within the film industry, Sharon has experience at the highest levels across Australia, New Zealand and the United Kingdom, and has been financing cashflow solutions in film and television for producers for over 25 years. Sharon's newest venture, Hinterland, is the culmination of her experience, focusing on providing tailored and producer-friendly financing solutions for independent and creative producers in New Zealand and Australia, with unparalleled local rebate knowledge. Prior to Hinterland, Sharon is most well known for her role in building Fulcrum Media Finance. During her tenure she provided over AUD $750 million in lending on over 450 projects without a single default.

 

REGISTER FOR THIS EVENT HERE

HUGE MIHI TO OUR FRIENDS AT IMAGES &SOUND FOR HOSTING!

Date: Tuesday 29 Jul 2025
Location: Images & Sound, 113 Grafton Road, Grafton, Auckland
Time: 5.30pm arrival for 6pm sharp start

Tuesday
29
Jul
2025

Upcoming events...

Wednesday 21 Oct 2026

In Conversation With: Cathy Garcia-Sampana

You may have missed her at the Big Screen Symposium this year, but in our eyes, she was the hidden gem of the conference.

Cathy Garcia-Sampana is one of the most successful filmmakers in the Phillipines. Her films have been the highest-grossing Filipino film of the year on nine occasions, and on six occasions have been the highest-grossing Filipino film of all time (Wikipedia). And with all of that, she spends a half of her time in Aotearoa!

Across a career spanning more than three decades and closely associated with ABS-CBN and its film studio Star Cinema, she has directed some of the most successful and widely watched productions in Philippine screen history. Her credits include One More Chance (2017), The Hows of Us (2018) Hello, Love, Goodbye (2019) and Hello, Love, Again (2024). The themes that are present through her work are family, navigating love, ambition, migration, and personal reinvention.

WIFT & PASC are delighted to have Cathy speak to us about her journey as a filmmaker, working within her values, and how the screen industry in Asia is vastly different from ours.

The session will be moderated by Marc Laureano.

CLICK HERE TO BOOK

Drinks & nibbles provided.

FREE for WIFT & PASC Members | $20 for non-members

Wednesday 21 Oct 2026

Understanding the Archive

What happens to your film after delivery? Ngā Taonga has the answer.

Delivery isn't the end of your film's story. If the New Zealand Film Commission has funded your film, you're required to deposit it with Ngā Taonga Sound & Vision, Aotearoa's audiovisual archive. Most filmmakers tick that box and move on, but knowing how the archive works can make a real difference to your film's future.

Here's why:
Ngā Taonga preserves and catalogues your material, and when someone wants to screen it or access it, they send that request on to you as the rights holder. Nothing is released without your say. As the years go by, that becomes more and more valuable, whether it's a festival programmer, a researcher or a retrospective curator looking for your work.

So, who are they?
Ngā Taonga holds more than 800,000 audiovisual items dating back to 1894, and cares for the collections of the NZ Film Commission, Te Māngai Pāho, RNZ, TVNZ and much of NZ On Air's funded content, alongside material from Whakaata Māori, the Waitangi Tribunal and many other public and private collections. It's where our screen history lives, and where your work will sit alongside it.

As a filmmaker, it is essential that you know how to make sure your film materials are preserved and archived properly, so your work stays discoverable for generations to come.

CLICK HERE TO BOOK

Free for WIFT Members, $20 for non-members. Drinks & nibbles provided.

Programme is brought to you with generous support from the NZ Film Commission and Foundation North.