WIFT NZ Events

Wednesday
13
May
2026
What's the "Drama" with "Vertical"? (Auckland)
Auckland Vertical Microdrama webseries

What's the "Drama" with "Vertical"? (Auckland)

Posted Wednesday 06 May 2026

What's the 'Drama' with 'Vertical'?

Are there opportunities for vertical microdramas in NZ?

The vertical microdrama format has taken the world by storm. Short, punchy, shot for mobile, and built for binge-watching, it's generated extraordinary revenue in markets like China and is quietly gaining ground here in Aotearoa. But what is it? Where do we find them? Who's watching? Are there revenue opportunities?

Join us for a panel conversation that brings together producers, funders, and an international perspective to dig into the real story behind vertical content in NZ.

Whether you're already working in the short-form space, curious about where the funding is heading, or wondering how overseas models might translate here, this is a conversation you won't want to miss.

Our Panellists

  • Amie Mills - Head of Funding at NZ on Air
    Amie is a member of the Senior Leadership Team and has overall responsibility for the Scripted, Non-Fiction and Platforms streams of funding, and the Game Development Sector Rebate. Amie has worked in the media industry in Aotearoa and abroad, in a range of creative and digital production roles.

  • Abba-Rose Vaiaonga-Ioasa - Producer for "I Got You"
    Abba-Rose (Samoan, villages of Toamua, Puipa'a) specializes in taking the path less travelled to tell the stories rarely told. Co-founder of Pacific Islands Screen Artists, producer of feature films, Three Wise Cousins (2016), Hibiscus & Ruthless (2018), Take Home Pay (2019), Mama's Music Box (2020). And factual series Sik Fah Lah (2022), online vertical series I Got You (2022).

  • Daniela Shaw - Executive Producer
    Daniela works in film and television production with a focus on cross-border content, having produced reality programs and screen projects across international markets. Today, she is focused on micro drama as a high-growth format, where short-form storytelling meets global distribution and mobile-first audiences.

  • Jessica Todd - Producer for "The Sender"
    Based between Ōtautahi Christchurch and Tāmaki Makaurau Auckland, Jessica has been working across the media industry in Aotearoa and the UK for 10 years. As as independent producer, she works in production for long form drama projects and TVCs. Most recently, she produced NZ On Air Funded microdrama The Sender (2025).

Drinks and nibbles from 6pm, panel from 6:30pm.

Free for WIFT members | $20 non-members

Date: Wednesday 13 May 2026
Location: The Rosey, 489B Rosebank Road, Auckland
Time: Drinks and nibbles from 6pm, Panel from 6:30pm-8pm

Wednesday
13
May
2026

Upcoming events...

Wednesday 21 Oct 2026

In Conversation With: Cathy Garcia-Sampana
In Conversation With: Cathy Garcia-Sampana

You may have missed her at the Big Screen Symposium this year, but in our eyes, she was the hidden gem of the conference.

Cathy Garcia-Sampana is one of the most successful filmmakers in the Phillipines. Her films have been the highest-grossing Filipino film of the year on nine occasions, and on six occasions have been the highest-grossing Filipino film of all time (Wikipedia). And with all of that, she spends a half of her time in Aotearoa!

Across a career spanning more than three decades and closely associated with ABS-CBN and its film studio Star Cinema, she has directed some of the most successful and widely watched productions in Philippine screen history. Her credits include One More Chance (2017), The Hows of Us (2018) Hello, Love, Goodbye (2019) and Hello, Love, Again (2024). The themes that are present through her work are family, navigating love, ambition, migration, and personal reinvention.

WIFT & PASC are delighted to have Cathy speak to us about her journey as a filmmaker, working within her values, and how the screen industry in Asia is vastly different from ours.

The session will be moderated by Marc Laureano.

CLICK HERE TO BOOK

Drinks & nibbles provided.

FREE for WIFT & PASC Members | $20 for non-members

Auckland
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Wednesday 21 Oct 2026

Understanding the Archive
Understanding the Archive

What happens to your film after delivery? Ngā Taonga has the answer.

Delivery isn't the end of your film's story. If the New Zealand Film Commission has funded your film, you're required to deposit it with Ngā Taonga Sound & Vision, Aotearoa's audiovisual archive. Most filmmakers tick that box and move on, but knowing how the archive works can make a real difference to your film's future.

Here's why:
Ngā Taonga preserves and catalogues your material, and when someone wants to screen it or access it, they send that request on to you as the rights holder. Nothing is released without your say. As the years go by, that becomes more and more valuable, whether it's a festival programmer, a researcher or a retrospective curator looking for your work.

So, who are they?
Ngā Taonga holds more than 800,000 audiovisual items dating back to 1894, and cares for the collections of the NZ Film Commission, Te Māngai Pāho, RNZ, TVNZ and much of NZ On Air's funded content, alongside material from Whakaata Māori, the Waitangi Tribunal and many other public and private collections. It's where our screen history lives, and where your work will sit alongside it.

As a filmmaker, it is essential that you know how to make sure your film materials are preserved and archived properly, so your work stays discoverable for generations to come.

CLICK HERE TO BOOK

Free for WIFT Members, $20 for non-members. Drinks & nibbles provided.

Wellington
Archives
Nga Taonga
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Programme is brought to you with generous support from the NZ Film Commission and Foundation North.