Thursday
04
Jul
2024
Women in Camera

Women in Camera

Posted Tuesday 17 Feb 2026

Celebrating Women in Camera

Join WIFT for an enlightening exploration through the lens of women in camera. Join these talented women, Cinematographers Tammy Williams, and Nani Conforte with 1st AC Kirsten Green, Moderated by Managing Director of FAT Lighting, Tracey Cochrane.

  1. Opportunities and challenges for women cinematographers.
  2. Their thoughts of the evolving landscape of cinematography and the avenues for career advancement.
  3. How their lived experiences and perspectives as women bring depth and authenticity to their craft.
  4. What initiatives they feel are needed to balance the scales in their field.

Date: Thursday. 4 July

Time: 6 pm doors open, 6:30 pm start.

Venue: FAT Lighting, 7H/489 Rosebank Road, Avondale, Auckland 1026

WIFT NZ members FREE, non-members $20, students $10, includes wine and nibbles.

BOOK YOUR SPACE HERE

 

Date: Thursday 04 Jul 2024
Location: FAT Lighting, 7H/489 Rosebank Road, Avondale, Auckland 1026
Time: 6 pm doors open, event starts at 6:30

Thursday
04
Jul
2024

Upcoming events...

Wednesday 21 Oct 2026

In Conversation With: Cathy Garcia-Sampana

You may have missed her at the Big Screen Symposium this year, but in our eyes, she was the hidden gem of the conference.

Cathy Garcia-Sampana is one of the most successful filmmakers in the Phillipines. Her films have been the highest-grossing Filipino film of the year on nine occasions, and on six occasions have been the highest-grossing Filipino film of all time (Wikipedia). And with all of that, she spends a half of her time in Aotearoa!

Across a career spanning more than three decades and closely associated with ABS-CBN and its film studio Star Cinema, she has directed some of the most successful and widely watched productions in Philippine screen history. Her credits include One More Chance (2017), The Hows of Us (2018) Hello, Love, Goodbye (2019) and Hello, Love, Again (2024). The themes that are present through her work are family, navigating love, ambition, migration, and personal reinvention.

WIFT & PASC are delighted to have Cathy speak to us about her journey as a filmmaker, working within her values, and how the screen industry in Asia is vastly different from ours.

The session will be moderated by Marc Laureano.

CLICK HERE TO BOOK

Drinks & nibbles provided.

FREE for WIFT & PASC Members | $20 for non-members

Wednesday 21 Oct 2026

Understanding the Archive

What happens to your film after delivery? Ngā Taonga has the answer.

Delivery isn't the end of your film's story. If the New Zealand Film Commission has funded your film, you're required to deposit it with Ngā Taonga Sound & Vision, Aotearoa's audiovisual archive. Most filmmakers tick that box and move on, but knowing how the archive works can make a real difference to your film's future.

Here's why:
Ngā Taonga preserves and catalogues your material, and when someone wants to screen it or access it, they send that request on to you as the rights holder. Nothing is released without your say. As the years go by, that becomes more and more valuable, whether it's a festival programmer, a researcher or a retrospective curator looking for your work.

So, who are they?
Ngā Taonga holds more than 800,000 audiovisual items dating back to 1894, and cares for the collections of the NZ Film Commission, Te Māngai Pāho, RNZ, TVNZ and much of NZ On Air's funded content, alongside material from Whakaata Māori, the Waitangi Tribunal and many other public and private collections. It's where our screen history lives, and where your work will sit alongside it.

As a filmmaker, it is essential that you know how to make sure your film materials are preserved and archived properly, so your work stays discoverable for generations to come.

CLICK HERE TO BOOK

Free for WIFT Members, $20 for non-members. Drinks & nibbles provided.

Programme is brought to you with generous support from the NZ Film Commission and Foundation North.