"CROCODILE" Wins Best Film (Viewpoints) at Tribeca Film Festival

Posted Saturday 13 Jun 2026

"CROCODILE" Wins Best Film (Viewpoints) at Tribeca Film Festival
Pietra Brettkelly's film Crocodile has won Best Film (Viewpoints) at the 2026 Tribeca Film Festival
Viewpoints is Tribeca’s platform for bold, boundary‑pushing new voices, a space for distinct perspectives and fearless storytelling, making this win all the more significant.
The jury had this to say:
“This film beautifully captures both the courage and perseverance required to be an artist, illuminating the risks, sacrifices, and unwavering belief it takes to pursue one's dreams. Through their work, these remarkable young filmmakers remind us that the arts are not simply a means of expression, but a way of living truthfully and authentically in the world. Drawing from both dreams and reality, they created something joyful, inventive, and deeply original—a work that delights the imagination while speaking to the power of creativity itself. What moved us most was the extraordinary maturity, generosity of spirit, and sense of possibility that shines through every frame. In celebrating the transformative power of art, this team crafted a film that inspired, surprised, and filled us with hope.”

Crocodile exploded onto the world stage with its World Premiere In Competition at the Berlinale International Film Festival with all four screenings selling out in just 15 minutes.  The film also showed at the Sydney Film Festival.

 

CROCODILE:

In Nigeria, a group of teenagers have founded the collective: The Critics. With the most basic resources but an abundance of cinephile passion, they conjure handmade sci-fi spectacles: their own village becomes the set, the green screen is sewn together by hand, and the cast is recruited from neighbourhood children. Their films transform everyday life into wild dreamscapes – both an escape and a refuge. Creating images is, above all, play and pleasure for them, a window to the outside world and, at the same time, a door that genuinely opens outwards. In Crocodile, The Critics appear both in front of and behind the camera, while Pietra Brettkelly edits their words and images into their stories: their political engagement, heated debates, moments of doubt and despair, rifts and resistance, and the gradual professionalisation of their craft. Their energy, vitality and determined will to invent and self-invent – a coming-of-age carried by the magic of the audiovisual medium – ultimately leave everyone smiling.

CONGRATS TO PIETRA AND ALL THE TEAM!